The Mystery of Brushes RevealedBy: Jillybean Fitzhenry
Topics Covered:>Anatomy
of a Brush Anatomy
of a Brush
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| Anatomy of a Brush | Anatomy of a Brush Hair | |
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Types
of Natural Hair with fine Points:
|
Types
of Hair with a Cylindrical shape
|
Angular
brush
Use the brush to float and double load colours, or create ruffled petals
and leaves. The long tip of the brush makes it easier to add colour
into tight corners.
Filbert Brush
Use this brush to fill rounded areas and make rounded strokes, petals
and leaves.
Glaze/ Wash Brush
Large flat brushes are usually called a glaze or wash brush. Small flats
are called shaders. Use a wash brush to basecoat backgrounds. Hold the
brush at a 45 degree angle when basecoating. Start in the center of
the area to avoid ridges on the edge. The wash brush can make the same
types of strokes as the shader except on a much larger scale.
Shader / Flat
Use a flat shader for stroke work and basecoating square objects.
Round Brush
Use a round brush to apply colours in medium to small areas. Create
broad lines, stroke work and fill rounded areas.
Liner
brush
Use this brush to outline edges, add details, thin lines, eyelashes,
etc.
Thin lines
For thin lines dilute the paint with 50% water. Pull the brush tip through
the thinned paint while twirling the brush tip to a sharp point. Hold
the brush at a 90 degree angle. Applying pressure will make thick lines
and no pressure for extra thin lines. Use a liner for thin lines and
a script liner for extra long thin lines.
Script
brush
Use this brush when extra long thin lines are required. This is like
a long liner brush. The longer bristles will hold more paint and make
longer continuous lines. This brush is also used to paint script type
lettering that is long and flowing.

Comb & Filbert Comb Brush
Use this brush to make multiple thin lines in one stroke. These brushes
are used to paint Santa beards, angel wings, hair, animal fur and grass.
It is also used to make texture lines in wood, barns, basket weave etc.
The filbert Comb will make varied starting and stopping points while
the regular comb is more even.
Bristle
Round
Use this brush to draw the main lines or subject of the painting on
the canvas. The width and shape of the lines can be varied by the amount
of pressure applied. They are also used to blend small areas and add
details.
Bristle
Bright
The bristles in this brush are shorter and firmer than in a flat. The
extra firmness makes it easy to apply or push around thick amount of
paint. This brush will leave a square impression in the paint. Use the
chisel edge fot he brush with very light pressure to pull thin lines.
The paint may need to be thinned slightly for long thin lines.
Bristle
Flat
The bristles in this brush are long which gives them more elasticity. This makes it easier to apply colours into a wet area without digging into the wet area. A wide range of strokes can be achieved by varying the amount of pressure used.
Bristle
Filbert
The unique rounded edges of this type of flat brush will leave softer edges than a regular bristle flat. It creates a thin line when pulled sideways and becomes a thick stroke by turnign the brush slightly. The rounded tips can create cloud forms and other rounded shapes such as flower petals.
Bristle
& Soft Hair Fan Brushes
These are used dry to gently blend wet colours. The stiff bristle fans
can be dragged through heavy paint for textured effects or use the tips
to stipple trees, foliage etc. The soft hair fans are used to blend
colours delicately without digging into the wet paint.
Soft Hair Brushes
| Hair Types | ||||
| Soft | Medium | Medium/Stiff | Stiff | |
| Synthetic | Majestic
Royal Garden Royal Knight |
Aqualon
Sunburst White Taklon Golden Taklon |
Snowhite
Fusion |
White
Taklon Fabric Scrubbers |
| Natural | Nocturna
Pure Red Sable Natural Camel Hair |
Combo
Royal Sable |
Supreme
Regis Natural Bristle Stencil Brushes |
|
| Large Area | Brown
hair (Pony) Goat Hair |
Bristle |
Based on
the surfaces
The basic rule is to use soft brushes on smooth surfaces and stiff brushes
on porous surfaces.
| Soft | Medium | Medium/Stiff | Stiff | |
| Glass
Models Plastic Silk |
yes | |||
| Watercolor
paper/Greeting Cards Thin Fabrics Paper Mache Candles (Wax) Soap Metal Wear |
yes | yes | ||
| Heavy Fabrics | yes | yes | ||
| Wood | yes | yes | yes | yes |
| Canvas | Overpainting and details | yes | yes | for underpainting |
| Clay
Pots Ceramics |
yes | yes | yes | |
| Stepping Stones | yes | yes | ||
| Rubber Stamping | yes | yes |
Based on Paints and Medium
The basic rule is to use soft brushes with thin mediums and stiff brushes
with thick mediums. There is always an exception to the rule when creating
special effects.
| Soft | Medium | Medium/Stiff | Stiff | |
| Bottle Acrylics | + | + | + | |
| Fabric Dyes | silk | light weight fabrics | heavy fabrics | for scrubbing heavy fabrics |
| Metal Paints | + | + | ||
| Tube
Acrylics Oils |
over-painting and details | + | + | underpainting |
| Stencil Paint | + | |||
| Watercolor
Vanish |
+ | + | ||
| Wood
Sealer Wood Stains |
+ | |||
| Crackle
Mediums Gesso |
+ | + |
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